NYFW SS14 | B&W
When I started shooting years ago, I almost exclusively shot 35mm B&W film.  Since then I’ve done projects exclusively on B&W film as well.  Seeing as you can really go many directions with a digital file I thought I’d experiment with processing some images from last season in B&W to see what works and what doesn’t.  I’d like to incorporate more in my Fashion Week coverage starting next week.  The next few posts will be from that experiment.   NYFW SS14 | B&W
When I started shooting years ago, I almost exclusively shot 35mm B&W film.  Since then I’ve done projects exclusively on B&W film as well.  Seeing as you can really go many directions with a digital file I thought I’d experiment with processing some images from last season in B&W to see what works and what doesn’t.  I’d like to incorporate more in my Fashion Week coverage starting next week.  The next few posts will be from that experiment.   NYFW SS14 | B&W
When I started shooting years ago, I almost exclusively shot 35mm B&W film.  Since then I’ve done projects exclusively on B&W film as well.  Seeing as you can really go many directions with a digital file I thought I’d experiment with processing some images from last season in B&W to see what works and what doesn’t.  I’d like to incorporate more in my Fashion Week coverage starting next week.  The next few posts will be from that experiment.   NYFW SS14 | B&W
When I started shooting years ago, I almost exclusively shot 35mm B&W film.  Since then I’ve done projects exclusively on B&W film as well.  Seeing as you can really go many directions with a digital file I thought I’d experiment with processing some images from last season in B&W to see what works and what doesn’t.  I’d like to incorporate more in my Fashion Week coverage starting next week.  The next few posts will be from that experiment.   NYFW SS14 | B&W
When I started shooting years ago, I almost exclusively shot 35mm B&W film.  Since then I’ve done projects exclusively on B&W film as well.  Seeing as you can really go many directions with a digital file I thought I’d experiment with processing some images from last season in B&W to see what works and what doesn’t.  I’d like to incorporate more in my Fashion Week coverage starting next week.  The next few posts will be from that experiment.   NYFW SS14 | B&W
When I started shooting years ago, I almost exclusively shot 35mm B&W film.  Since then I’ve done projects exclusively on B&W film as well.  Seeing as you can really go many directions with a digital file I thought I’d experiment with processing some images from last season in B&W to see what works and what doesn’t.  I’d like to incorporate more in my Fashion Week coverage starting next week.  The next few posts will be from that experiment.   NYFW SS14 | B&W
When I started shooting years ago, I almost exclusively shot 35mm B&W film.  Since then I’ve done projects exclusively on B&W film as well.  Seeing as you can really go many directions with a digital file I thought I’d experiment with processing some images from last season in B&W to see what works and what doesn’t.  I’d like to incorporate more in my Fashion Week coverage starting next week.  The next few posts will be from that experiment.   NYFW SS14 | B&W
When I started shooting years ago, I almost exclusively shot 35mm B&W film.  Since then I’ve done projects exclusively on B&W film as well.  Seeing as you can really go many directions with a digital file I thought I’d experiment with processing some images from last season in B&W to see what works and what doesn’t.  I’d like to incorporate more in my Fashion Week coverage starting next week.  The next few posts will be from that experiment.   NYFW SS14 | B&W
When I started shooting years ago, I almost exclusively shot 35mm B&W film.  Since then I’ve done projects exclusively on B&W film as well.  Seeing as you can really go many directions with a digital file I thought I’d experiment with processing some images from last season in B&W to see what works and what doesn’t.  I’d like to incorporate more in my Fashion Week coverage starting next week.  The next few posts will be from that experiment.   NYFW SS14 | B&W
When I started shooting years ago, I almost exclusively shot 35mm B&W film.  Since then I’ve done projects exclusively on B&W film as well.  Seeing as you can really go many directions with a digital file I thought I’d experiment with processing some images from last season in B&W to see what works and what doesn’t.  I’d like to incorporate more in my Fashion Week coverage starting next week.  The next few posts will be from that experiment.  

NYFW SS14 | B&W

When I started shooting years ago, I almost exclusively shot 35mm B&W film.  Since then I’ve done projects exclusively on B&W film as well.  Seeing as you can really go many directions with a digital file I thought I’d experiment with processing some images from last season in B&W to see what works and what doesn’t.  I’d like to incorporate more in my Fashion Week coverage starting next week.  The next few posts will be from that experiment.